The Conventions are on the 3rd Sunday of
February,  May,  August,  November
Sunday's Conventions - start at 9:30 AM - Until the last one plays
Saturday Jam - the night before - 7:00 PM to about 11:00PM

 


    We are in a transition in the scheduling for all players
wanting to perform at the show. Your cooperation would be greatly appreciated to keep things running smoothly.

    To be added to the line up, you can contact me
David Christmas at dc65_53@yahoo.com  or
by phone at 843-426-4232


February 19, 2012
is the 100th Convention


Our Headliner

Bob Hempker

 

      Born and raised in Lima, Ohio
Started playing steel guitar at age 12
Began playing professionally at age 15
I played in bars around the Lima, Oh area. I was not even old enough to be in them, but I had a phony ID that said I was 21. My first real inspiration was the immortal Jerry Byrd. After a few years, I saw that in order to get work, I had to play pedal guitar. I had a Multi-Kord for about 2 years, and then a Wright Custom was my first guitar with the splits on the A&B pedals. I ended up playing Emmons guitars for years, which I still do play.

I went to work with Loretta Lynn when I was 21 years old. I was a green horn kid, who moved to Nashville from Ohio. Loretta was still affiliated with the Wilburn Brothers at the time, so I had some good teachers to learn the ropes of working the road from. I put in 17 years with Loretta, trying to copy all the great Hal Rugg solos he performed on her recordings. That was really challenging at times. We traveled with Conway Twitty for years while Loretta and He were recording together. I became friends with the immortal John Hughey through all this. We also had to back many other people such as Johnny Russell, Cal Smith, Mickey Gilley, Nat Stuckey, and some I probably don’t remember. We did all the hot network TV shows such as Johnny Carson, Mike Douglas, Merv Griffin, and several network specials Loretta did on her own.

At the end of 1985, I decided to get out of the music bus., and try something else. I quit Loretta’s show, and I went to work for the US Postal Service in Nashville. I stayed there 7 years, and did not touch my guitar until about a year before I left there. In 1992, I went back to work for Loretta. She was working in Branson, MO., so I moved up to Branson. After about a year and a half, her husband Mooney became terminally ill. She decided to go back to Nashville, and just work a few choice dates here and there. I took a 6 night a week club gig in Branson to maintain me. I also was working a little morning show.

For the next four years or so, I struggled finding work in Branson. I subbed for people when they took off from their jobs, and worked clubs. I worked a year at Silver Dollar City.

At the beginning of 1997, I went to work for Roy Clark. I worked with Roy until Sept of 2004. I did some more free-lancing around Branson, and then worked the “Country Tonite” show in the 2005 season. I also did Jim Owen’s morning show, so I was busy 7 days a week.

In ‘07, I finally moved back to Nashville. I missed my friends and my children and grandchildren. I haven‘t done a lot of playing in the last 3+ years. Mainly, if someone needs to take off a night, I‘ll go and sub for them. I do usually sit down and play my guitar just about everyday. I‘ve never lost my love for music or my instrument.

I just finished up a new CD. I haven‘t gotten them duplicated yet, so It will be at least a couple of weeks before I can get them out on the market for sale. It is a combination of Country tunes and some Jazz standards. I hope it will be accepted well. I really put a lot of work into it.

I play an Emmons LeGrande III, double ten, with the counter force on both necks. I use a Peavey Vegas 400 amp and a Peavey Profex II for reverb, delay, and any other effects.

Bob


 

         



  

 Webmaster Danny Hammers  Ph 352-860-0155
 Revised: Monday, June 13, 2011 03:01 PM.
 All graphic and backgrounds property of
 Danny Hammers

 

Copyright © 2009 All rights reserved.
This page may not be reproduced or duplicated, in   whole or in part, without the express written permission
 of Danny Hammers and Jerry Reece or Joe Turner